
Often I'm asked how I learned so much about the early years of gospel music. My answer is simple: The Grand Ole Gospel Reunion!
For the past seventeen years, Charlie Waller has produced the Grand Ole Gospel Reunion. It has grown from a one day event to a four-day celebration centered around the finest performers in gospel music history. I recently returned from this event, and wanted to use my History 101 column as my soap box to praise Mr. Waller and his unique production efforts. Special praise is also warranted for Liz Autry, Charlie's wonderful assistant who handles the details that make the weekend run smoothly.
The GOGR began in 1988. Mr. Waller with the help of Jack Pittman of the Palmetto State Quartet combed the country to put together some of the forgotten legends of gospel music on one stage for one concert. Charlie was able to put together members of many groups from the past including the Rebels, Rangers Trio, Blackwood Brothers, Sunshine Boys, Prophets, LeFevres, Lee Roy Abernathy Quartet, Blue Ridge, Masters V, Statesmen, and the Dixie Echoes. The Palmetto State Quartet hosted the first reunion, and was also featured on the program.
Mr. Waller's knowledge of the history of gospel music coupled with his artistic talents and abilities have made the reunion more than a concert. It's an "event" in the true sense of the word. Prior to the beginning of the GOGR, many pioneers of gospel music had joined the Heavenly choir. However, Mr.Waller's vast collection often has brought these pioneers to the big screen via audio and video clips from the past.
As the years have passed, Charlie (known a "Tha' Man" to the GOGR faithful) has expanded the reunion to a four-day event, always keeping the audiences in mind as he orchestrates new twists each year to keep them coming back for more. The family atmosphere is evident from the opening moments through the hugs at the close of the weekend.
Through the years, the Grand Ole Gospel Reunion stage has welcomed the finest artists in gospel music. The 1991 Grand Ole Gospel Reunion was the site of the first Gaither Homecoming presentation. This night, the concept video, "Where Could I Go But to the Lord" was debuted and performed live for the reunion crowd.
Several of gospel music's finest groups have debuted on the reunion stage. The Dove Brothers, recently voted "Male Quartet of the Year," made their debut at the Grand Ole Gospel Reunion. The reunion was also the site of one of the first performances by the outstanding Booth Brothers. Many other groups credit the GOGR for reviving sagging careers and opening doors to further their singing careers.
The Grand Ole Gospel Reunion has welcomed many groups from yesteryear to their stage. There are many highlights through the years. Some that come to mind include these: The original Cathedral Quartet reunited for the first and only time in thirty years on the GOGR stage. Tammy Wynette took the stage praising her musical hero, Jake Hess for the "Jake Hess -- This is Your Life" segment. Michael English joined the Singing Americans on stage after he had been rebuked by many in gospel music. The Johnson Sisters reunited in song after nearly thirty years. The Weatherford Quartet again had Glen Payne singing lead as they thrilled the reunion crowd. Hovie Lister joined the Dove Brothers to perform a classic Statesmen song, "Get Away Jordan." The memories just continue to flow. I would encourage the attendees to add their comments at the end of the article.
As in all things, change is inevitable. In a roll call of the 41 artists that performed at the first reunion, sixteen have passed away and three others are unable to sing due to health concerns. However, Mr. Waller continues to present the finest in gospel music each year at the reunion. The performers have expanded to include some of the finest artists singing gospel music today. It maintains the integrity of the original reunion while offering the audiences a close look at many of today's active performers.
This year, the reunion could have easily been titled "The Grand Young Gospel Reunion" as many of the groups presented their new talents. The Melody Boys Quartet, a reunion favorite for many years, showcased their new 17-year-old baritone, Joshua Noah. The Dove Brothers, fresh from their new video shoot at Angola State Penitentiary, featured their new bass singer, David Hester. Although David may not be considered "young," he has an outstanding voice and stage presence that will make him a favorite of gospel music fans for years to come.
The Florida Boys, Dixie Echoes, and Dixie Melody Boys all had new tenor singers in their lineup. Dan Keaton of the Dixie Melody Boys did a superb job singing the tenor classic, "Hide Thou Me." Harold Reed gave a new found energy each time the Florida Boys performed at the reunion. David Robinson also did a great job with the Dixie Echoes.
A special treat for the reunion crowd was twelve year old piano prodigy Joshua Pope. He performed not only on the main stage, but also joined the wizards of the keyboard at the Piano Roll of Honor. The young duet, Fresh Spirit, also delighted the audience.
Ben Harris and Southern Sound were in charge of the sound system at the hotel. They also had their new baritone, Trevor Haley, performing at the top of his game. Their performances both on stage and off stage were outstanding.
The SouthernGospelNews Message Board was well represented this year. I'm sure I'll omit some names, but I enjoyed conversations with Ben Harris, Dean Adkins, John Rulapaugh, Norman Graham, Jonathan Sawrie, Carol Hughes, and McCray Dove among others. Alan Kendall and Gayla Fooks were both quite active in making sure the reunion ran smoothly. If I missed someone, please forgive me! I also found out that there are MANY folks in the industry that read our message boards religiously, even though they don't post. Fellow posters may want to keep this in mind when stating their observations and opinions!
Although time and space won't allow me to go into details of all the events, there were a few things that were highlights to me. "Up Close and Personal with Mosie Lister" featured a stage full of artists singing their favorite Mosie Lister songs. Mosie shared some touching and humorous tales about his career writing gospel music. The Dove Brothers presented several songs from their new project, "A Tribute to Mosie Lister," and other groups expressed their thanks and love for Mosie and all he's done for gospel music.
The Piano Roll of Honor featured many artists from yesterday and today. It was great to see a youngster like Joshua Pope on stage with legends like Kenny Gates, Charles Key, Earl Brewer, Derrell Stewart, and Henry Slaughter. L.D. Young was inducted into the Piano Roll of Honor.
The evening concerts were held at Furman University. The programs were fast paced and full of energy. Each group took the stage with a special flair that seems to always be prevalent at the GOGR. The Saturday evening concert took the audience back to an earlier, more simple time in gospel music history.
The groups performed around two microphones, and the soundtracks and vocal stacks were left on the bus. It was a return to classic four part harmony accompanied by intricate piano runs and fills. Many of the living legends in gospel music made their way across the stage performing the classic songs that have thrilled gospel music audiences for more than fifty years.
Charlie Waller never ceases to amaze the reunion faithful with his humor, creativity, and love for the people. He also pulled at the heart strings with his memorial tribute to the late, great Jack Toney. This may have been the finest seven minutes of the reunion. The Heavenly Choir have increased by eighteen members since the 2003 reunion, and Charlie paid tribute to these dearly departed musicians.
Charlie also surprised the reunion crowd with his singing ability as he joined his Grand Ole Gospel Reunion Quartet singing the classic, "Sweeter as the Days Go By." The crowd reaction was fabulous as they saw this tuxedo clad quartet singing that classic song in the style right out of the early 60s! Their staging and excitement brought the crowd back in time.
I would publically like to thank Charlie Waller for all he's done to further gospel music past and present. He was the first person to give me the opportunity to write about the history of gospel music. Without Mr. Waller's encouragement, there would be no Southern Gospel History 101. Thank you Charlie for being an encourager, supporter and friend.
If you'd like to know more, let me also encourage you to visit the GOGR web at www.grandolegospelreunion.com. The web master is message board member Alan Kendall. There are even more pictures and GOGR memories on that site.
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Great article, John!
John,
Thanks for a great article and a reminder of what a wonderful 2004 GOGR we just had. I attended in 1989 and 1994 and loved those events but for various reasons did not make it back until 2004. Besides the wonderful singing this year, it was a pleasure to talk to two of my heroes -- Bill Shaw and Mosie Lister. It was a pleasure meeting so many of the Sogospelnews posters. Keep up the excellent work John. By the way, thanks for the photo of Gayla. I could have done without the one of you and Sawrie.
John...
John,
Great article John. The GOGR is the highlight of my year and for many other folks as well. Not just good singing, but it really is a family event. I was tickled to help out this year with whatever I was needed for. Thank you Charlie and Liz for showing us all a grand time. Most fun I've ever had. Everybody keep an eye on the website. Photos from this year keep on coming in!
John, once again you have made my month complete with your article on the GOGR. My wife and I, like Gayla, have attended since 1989 (we didn't know about 1988, either) and it is the hi-lite of our year, every year.
The Grand Ole Gospel Reunion and Charlie will always be very special to me. It was the last time that my mother Lillian Little Soldier Klaudt had the opportunity to sing on stage. At age 90, Charlie gave her this one last time opportunity to minister in song. For this I am forever grateful.
Thank you JOhn for this great review of GOGR 2004..and for those of you who have never attended the GOGR, shame of you...you're missing the greatest southern gospel music family gathering event of the year...and thank you Charlie and Liz for the hundreds of hours of hard work you do each year in presenting this special event..and a special thanks to all my gospel music heros who make the special effort to be part of the programs each year..
JOhn great article! I really believe Charlie Waller is doing more for Southern Gospel MUsic than any one other individual in the industry today. He has great music, great flow, and so much fun. You never know what to expect from Charlie. I plan on attending for as long as I am able to go! Again, great article my friend.
John,
My parents and I, who sing as a SG trio, attended the GOGR this year for the first time. As good as the program was, we will probably not return, for the following reason. What some of the other commenters have referred to as a "family" event was liberally sprinkled with off-color jokes and comments that in my opinion had no place in what is billed as a major Christian gathering. I was further saddened to hear many that I consider to be godly ladies and gentlemen laughing it off or making excuses for it. It is the very antithesis of what Southern Gospel music is supposed to be about: a message of changed lives in Christ. It would be great to see the artists involved in the program taking a stand on this issue. Or is it not an issue to anyone else?
Charlie has a disclaimer every year at the beginning of the reunion on Wednesday night. "If you have a weak heart or a narrow mind, there's the door." Apparently someone didn't find the door quick enough.
Well said, Alan. I think folks are hesistant to admit that God has a sense of humor, too. It's a family atmosphere. Aren't you a bit more at ease around your "family" than others?
Hidee Everyone,
I stand by my comments. Yes, I heard Charlie's disclaimer; I suppose that gave him a green light to say whatever he wanted. I heard multiple references to male anatomy, an allusion to having one of the lady singers "in the sack", and a crude mention of Minnie Pearl's backside, among other things. I was not "offended", I was disappointed. I like humor as much as or more than anyone; I just don't think we need to go to the gutter to get it.
Please do not post insinuating and derogatory comments about a poster because you do not agree with their opinion. Each person is entitled to their opinion and does not have to be accused because they express it. Everyone will not enjoy GOGR and they have the right to express their opinion as to why without being accused of "being in the gutter" themselves. Please be respectful of everyone's opinion.
John, what a great article on Charlie Waller and the GOGR! He is keeping the old and the new gospel "connected" in a most fitting way. Your tribute to him was wonderful, and I enjoy reading your SG History. Thanks for all the wonderful pictures, and most of all the great picture of Fred Daniel of the Sunshine Boys! I haven't seen him since the 70's and he looks fantastic!I wish him well, he is such a nice person. Keep up your good work, John, and I will keep reading about and enjoying southern gospel, it is my favorite!
Great story on Charlie Waller, John.
I have a cousin that is 102 years old and loves Southern Gospel Music. She talks a lot about the Rangers Quartet. They visited in her home when they were in the Nacogdoches, TX, area and she and her husband would drive to Tyler and Dallas to hear them. I would like to know if it is possible to obtain any recordings of the Rangers so that we can play them for her. She used to have some of their LP's; but after she went into the nursing home at 98 or 99 years of age, one of the cousins helping her took all of her LP's. She has since passed away and we don't know how to get them back. If anyone can help me, I would greatly appreciate it.
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